Independent Journalism
Brazil’s award-winning cheeses
Highlights from a visit to the artisanal cheese industry in the interior of Rio de Janeiro: regulation of raw-milk cheeses, environmental consciousness, and the future of food.
by Matthew Bomparola • June 10, 2024

Friendly sleepy cow; Original photo
2024, DuVale Queijos
VALENÇA, RJ — Dr. Fabricio Vieira greeted me at his fazenda with a big kiss on the cheek and a bear hug. He’s much taller than I expected — almost as tall as the cardboard cutout that’s nailed to the wall behind me, next to the front door of his queijaria (“cheesery” in Portuguese). Vieira sports the same bushy grey beard, farmer’s checkered shirt, and wide-brimmed hat — his grandfather’s, I’ll learn later — that he was wearing when his photo was taken for the cardboard copy. Both hold outstretched, in offering, a heavy wheel of goat’s cheese.
Vieira’s Caprinus do Lago, a cheese based on the recipe for Pecorino Romano but made with goat milk, catapulted Valença to international fame in 2022 by winning top awards at the Mundial do Fromage in Lyon, France, including a designation as the seventh best cheese in the world. The rest of the top ten were either French or Swiss.
Vieira won top awards at the Mundial do Fromage, including seventh best cheese in the world.
Vieira’s queijaria, Capril do Lago, is nestled neatly among the rolling green hills of a region that’s known as the second most productive dairy-basin of Brazil. The landscape here is, to put it lightly, picturesque. In chief queijeiro Paulo’s words, the “air and the grass and the sun and the forests” of Valença express themselves in excellent milk.
I made the six hour trip from Rio by car to visit Vieira as part of a project on Brazilian cheese — a project that took me from his native Rio de Janeiro to the heart of São Paulo and north, to where I’ve been living for the past two years, Minas Gerais — the traditional heartland of Brazilian cheesemakers.
Despite centuries of cheesemaking tradition, according to Dr. Vieira, Brazil is still trying to find its place in the international scene.

Sapucaí do Lago and the Sapucaí pod; Original photo
2024, Capril do Lago

Paulo, head cheesemaker of Capril do Lago; Original photo
2024, Capril do Lago
Vieira is seeking a seal of art for his newest project — Sapucaí do Lago — a cheese inspired by the story of a local tree species, the Sapucaí, native to this part of the lower Brazilian highlands. The midday sun used to filter through the leaves of a particular Sapucaí that stood on a prominent hill in Valença, casting images on the grass. These icons were, according to Vieira, considered sacred by the indigenous Purí-Coroado people. As the story often goes, the tree was felled by invading Portuguese Jesuits for beams that support the roof of the present-day cathedral.
Sapucaí produce a distinctive bowl-shaped seed pod in which Fabrício’s cheesemaker, Paulo, cures his goat milk cheese that shares the tree’s name. It’s crumbly and gently spicy, it’s shape is reminiscent of a mushroom cap, and it’s core is lightly creamy. For taste and theatrics, it’s by far my favorite of Vieira’s cheeses — not that the others aren’t special in their own right.
Sapucaí produce a distinctive bowl-shaped seed pod in which Paulo cures the goat milk cheese that shares the tree’s name.
Not long after I arrive I’m served a cheeseboard by Vieira’s manager. Alongside a waxy, gorgonzola-y, melty Maste Florida and a tannic, earthy Monte d’Ouro is a neat pile of one of Brazil’s national candy treasures — Pingo de Leite (pronounced pin·goo dje lay·chee), a rocky taffy-like sweet caramel made from equal parts doce de leite (maybe you know it as dulce de leche) and sugar. Like everything at the Capril, here it’s made with goat milk.
As for the award-winning Caprinus do Lago, it smells like the land and it’s flavor is subterranean. It dissolves between my teeth and I taste goats and the earth and sunny tyrosine crystals (the same that ‘pop’ in your mouth as you bite into an aged Parmigiano Reggiano). My sinuses fill pleasantly with wildflower aromas. The roof of my mouth begs me for a beer or wine — or more aptly, cachaça. Its a very special cheese, strong and, like the best Brazilian cheeses, not for the faint of heart. It isn’t difficult to see how a panel of judges gave it such high praise.
It is (of course) illegal to export raw-milk cheeses across international borders without the right permissions. For the competition in Lyon, Vieira smuggled his cheeses past customs in a specially-rigged suitcase. When I asked about export regulations and the state of Brazilian cheese culture, Fabrício happily passed me the contact of another member of Valença cheese royalty: Rodrigo of DuVale Queijos.

Caprinus do Lago; Original photo
2024, Capril do Lago

Rodrigo, owner of DuVale Queijos; Original photo
2024, DuVale Queijos

Raw doce de leite, courtesy of Rodrigo; Original photo
2024, DuVale Queijos
Rodrigo directed me toward an antique prohibition against the sale of raw-milk products — not unlike a 1987-era FDA mandate that requires pasteurization for all milk-based products intended for human consumption, excepting aged cheeses. He explained how this type of regulation forces local, artisanal producers to industrialize operations or lose market share to big-name (lower-quality) competition. I, with a face full of raw-milk doce de leite, agree readily that artisanal production like his must be regulated, but by other means.
Another road-block for artisanal producers like Rodrigo is Brazil’s relatively high inequality and low median income. For generations, many urban consumers have elected for affordable alternatives over artisanal products, eroding their financial support. Brazilians eat loads of cheese — especially in their famous, and dubious, version of pizza or their answer to shepherd’s pie (escondidinho) — but most use low-quality products that bear the same, or ambiguously similar, names as traditional artisan work like Queijo Canastra or Requeijão. Rodrigo says that he’s unwilling to “kill” his product to make it financially competitive against cheap copycats.
Recently, some laws prohibiting or constraining the sale of raw milk cheeses have lifted, incidentally doing away with some illegal (and hilarious) cheese-smuggling cartels that used to traffic between São Paulo and Minas Gerais at night on dirt roads to avoid the cheese police.
Amidst changes in the legal system, in real incomes, and in the culture around food, Rodrigo is hopeful that his and other artisans’ products will make it back to cultural center-stage, as they have in France or Italy. But we’ll have to wait to find Rodrigo’s raw doce de leite and his cave aged cheeses in modern, large-scale supermarkets. In the meantime, if you come to Brazil you’ll have to make friends that know where to find the good stuff: na roça.

Feeding time at the Capril; Original photo
2024, Capril do Lago

A view of Valença, RJ; Original photo
2024, Valença
Vieira’s antique methods meet modern production techniques and environmental ethics. For a fazendeiro, or large land-owner, he shows remarkable consciousness of the impact his activities have on local ecology — and more surprisingly, why it matters.
The centuries subsequent to Portuguese, French, and Dutch colonization of Rio de Janeiro saw the systematic destruction of one of the world’s great rainforests (and the indigenous communities that cared for it): the Mata Atlântica. Today, less than 7 percent of the original biome stands, much of it restricted to fragments of less than 1/5th of a square mile (1/2 of a square kilometer).
Vieira told me, with some prodding, that his family land measures 47 alqueires, an antique Arabic-derived Portuguese measurement system that refers to, well, lots of land. On his account, he’s decided that rather than extract more minerals from the land in the form of coffee or other agricultural commodities, he’s letting much of it rest and recover into unbroken forest. Where the goats and cows graze, he’s employing a technique called silvopasture.
Viera’s antique methods meet modern production techniques and environmental ethics.
With collective consciousness shifting toward solutions for the climate crisis, producers like Vieira or Joel Salaatin at Polyface in the Shenandoah Valley might find a way for local producers to produce enough food to feed the world while remaining climate-friendly and, more importantly, in harmony with ancestral ecological systems that host the myriad environmental phenomena we’re just starting to understand.
This account details Valença’s raw-milk, award-winning but simple cheeses. Next, I hope to write about the deep traditions of the Serra da Canastra and the Italo-Brazilian cured blues and whites of the interior of São Paulo. Thanks for reading.

The pastures of Valença; Original photo
2024, Rancho Lo Buono

Latte Buono Queijaria; Original photo
2024, Rancho Lo Buono

The cardboard cutout of Dr. Fabrício Vieira; Original photo
2024, Capril do Lago